MIme Panels

What does mime training provide for the actor’s craft? You have to be a good  actor to be a good mime, but does one have to be a good mime to be a good  actor? Where can one go for mime training? Join us for a discussion of mime as  a fundamental base in actor training, examined by teaching artists with long  careers on the faculties of some of the world’s most prestigious theatre  conservatories and studios.

Why do people hate mime(s)? What place does mime hold in 2024? Is mime a  valid artistic form of expression? How does it apply to other performance  disciplines? What can you achieve with mime that you can't with other  performance forms? Why did you choose to become a mime?

An open forum for the festival artists and public to ask questions.

Recent progress in diversity, equity, and inclusion within art organizations is notable, yet some institutions still struggle with effective implementation, impacting their productions. This panel will explore how mime and physical theatre have historically engaged with these principles and examine current challenges. Join us for a compelling discussion on the advancements made and the ongoing work needed to fully integrate these values into artistic practices.

Join us for a conversation about the art of self-producing theater in Los Angeles  during changing cultural, economic, and artistic times. We will explore self producing in theatrical contexts through the lenses of artist and promoter.